CryFace kicks off Suds with “Stone Me,” which instantly gives you a taste of their influences. With “Favorite Interaction,” things slow down a little from there. The song heavily includes an acoustic guitar. However, it does pick up the pace, showing the versatility that the band employs when writing their songs. If you want an album that brings quite a bit of variety in its songs, this is something you should check out.
It’s clear that CryFace pulls from various types of rock music and blends it so well that this isn’t like anything I’ve really listened to before. You get a tinge of surf rock at times, with some psychedelic rock, but not too much of it. There’s no doubt that this album is guitar heavy, and they use it to their advantage. In “Night of the Living Dead,” there’s a Misfits vibe to me. The subject matter and the tone of the music make it a song that I could see the Misfits coming up with themselves, and that by all means is a compliment.
CryFace closes out the album with a song, “Temptation,” that runs about 5 1/2 minutes. It’s by far the longest song on the album and feels like something you’d possibly hear in the 70s. The overall tempo never really speed up, but the guitars definitely do to give a good contrast with the rest of the instruments. That closes out the band’s debut album and it’s a solid effort.
Overall, the twelve song album runs under 40 minutes. It’s not going to be your typical rock album, but it’ll give you a great blend of various styles of rock. I’m undecided on where exactly I’d place it on my current iteration of my list of favorite albums so far this year, but it’s absolutely at least worth a mention. Rock fans of all kinds should be checking this album out. You can do so over at Bandcamp.
In Their Lives: Great Writers on Great Beatles Songs is an anthology edited by Andrew Blauner. Various writers talk about a single Beatles song. Some are written by other artists and some are writers who you may be familiar with. Chuck Klosterman covers “Helter Skelter,” while Rosanne Cash writes about “No Reply.” Those are just a couple entries in what is a great read on various songs and how they relate to the writers.
In one passage, David Duchovny admits to not even listening to the song again and going off of pure memory. It’s a fun section to read simply because it’s an unorthodox approach. Most writers will try to make sure that they have all of the facts straight before writing about something (although, one could argue that a lot of writers don’t actually do so). However, Duchovny just wants to talk about the song as he remembers it because he doesn’t want to ruin his own memory of it.
I wouldn’t say that the book on the Beatles is revolutionary in any way, but it is an approach to music writing that I personally haven’t come across before. Sure, there are plenty of anthologies out there, but this one allows the writers to approach the songs from a personal aspect rather than an academic one. It’s not pure fact in here, but it’s also how the songs make them feel.
If you’re a fan of the Beatles, there’s a good chance that you feel the same way about some of these songs as the writers do. Overall, I found the book to be an enjoyable read from start to finish. Even with different writers and styles each chapter, there’s a strong sense of general agreement on how great the Beatles were. Be sure to check In Their Lives when you have the chance. You can grab a copy of the book over at Amazon.
Lost In Society recently released a 7” flexi with two new songs on them. Luckily, the songs are also available digitally for your listening pleasure. The two songs are similar in tone, but quite different in the fact that “Kid” runs almost four minutes while “True” runs just 34 seconds. All the band is asking for is less than five minutes of your time and you should absolutely give it to them. I don’t listen to too many new punk bands. I got into the Menzingers, and I love them. Then, I saw Lost In Society live at Programme Skate & Sound in Fullerton, CA and wanted more bands like them. I’m sure if I look hard enough, I can find some more. But Lost In Society have a rawness to their sound that I love.
“Kid” is able to send a longer message due to it being a longer song. It’s not a two minute banger that we often see in punk, but it’s still a jam. The chorus is one you can sing along to after a single listen of the song. “True” sends a powerful message still, even with its brevity. It’s cool to see a band just release something like this. They had two songs ready and they gave them to us. Give them a listen and you’ll see what I mean by the rawness of this band. They’re a refreshing sound when you tend to spend your time listening to a lot more polished and radio-ready music.
Batman #22 continues “The Button” storyline with part three. This issue is full of emotion for Batman, which isn’t something we necessarily get with him. The feelings are always there; he just suppresses them instead of showing them. When he sees his father and vice versa, it’s a stunning moment. That moment alone is sufficient to make this a great crossover event. Thomas’ sincerity before Bruce leaves just adds to that, too. Both men being Batman gives them each a unique perspective on the other’s life.
The Flash plays more of a background role in the majority of this episode. Bruce gets to fight side by side with his father while Barry fixes the treadmill. However, this is all happening because of him in a sense. He created Flashpoint and it’s nice to see DC revisit that here. Johns’ Flashpoint took place in 2011 and once Barry fixed it then, it didn’t appear that we’d be seeing it again in this capacity.
Bruce desperately wants his father to go back with them, but he refuses. Barry tries to convince him, too, to no avail. In the time stream, they run into Eobard Thawne with the button. Now I won’t pretend to wholly understand the way The Flash and Batman can time travel with Barry running and Bruce merely hanging on to the treadmill. However, without that ability, this story would not be near as interesting as it is.
Williamson takes over the scriptwriting for this crossover, but King at least helps with the story. I think they make for a good team on this issue and the art by Jason Fabok with colors from Brad Anderson compliment the writing well. This is a great looking issue and it’s because of both the writing and the art together. I really don’t think I could ask for a more enjoyable crossover between The Flash and Batman.
The Flash #21 brings us part two of “The Button.” Page one shows a man named Mr. Thunder yelling at the lightning. He doesn’t show up again in this issue, but it makes you wonder what his importance to the story is. From there, we see a lot more of the Batman and Flash team up. Bruce is badly beaten, but even that doesn’t sideline him. By the end of the issue, he and Barry end up time traveling together and they end up back in the Flashpoint timeline where Thomas Wayne is Batman.
Joshua Williamson gets a little wordy on some pages, but it’s worth it. The narration from Barry at the beginning isn’t wholly crucial to the story, but it adds more emotion to the current situation. Williamson also writes some great moments between Bruce and Barry. Bruce is unwilling to let Barry time travel on his own despite how injured he is. This moment and the earlier moment where Bruce is in bed and Barry is updating him really show what kind of friendship they have. Despite Barry having powers, these two have a lot in common.
The art and colors deserve a mention here, too. Hi-Fi’s coloring is outstanding as always and the art from Howard Porter is solid. If you look at the panel below, Porter uses an interesting way to draw Barry speeding off. I don’t know if I’ve seen anything quite like it. In that moment, it looks as if Barry is leaving a part of his body behind because he moves so fast. More often than not, I feel like we just see a blur.
This second issue of the crossover continues to bring a great story to life. They’re taking their time with solving the button mystery. As of right now, there are a few hints as to what’s going on, which Barry keeps to himself. However, there’s still a lot that’s unknown and that’s what keeps the story interesting. This story has been nothing but enjoyable for me so far. The story continues in Batman #22, which is out tomorrow.
Have Mercy return with Make The Best Of It. This is the first new music from the band since their split with Somos in 2014 and their first album since A Place of Our Own in 2014. Have Mercy has been through some lineup changes with Todd Wallace, Nick Woolford, and Andrew Johnson all leaving the band in 2016. Since then, Nate Gleason teamed up with Brian Swindle to work on the new release.
The new album deals with feelings of pain, insecurity, and longing. “Smoke and Lace” launches the album into this melancholic tone. The somewhat raspy vocals work extremely well with the music. Despite the lineup changes, there’s still a hint of the same types of songs since Brian is the one constant in all of their music. The guitars in “Coexist” stand out since they tend to contradict the lyrical content. They feel more upbeat at times and that contrast works well.
“Reaper” is easily the most revengeful song on the album. There’s talk of death and cutting the breaks in someone’s Camaro to cause it. It’s a harsh song that even admits how twisted it is with the line “bet he never knew I was so deranged.” After that, things slow down a little bit with “Ghost,” which is a nice change of pace. It brings a calm feeling after the lyrical content of “Reaper” and it doesn’t speed up until about two minutes in. Even then, it’s not as hard hitting as a good majority of the album.
Make The Best Of It closes out with “You Made Me.” This song feels like one last plea to be taken back. The singer admits it’s wrong, but that it feels right. In this moment, you can hear a sort of desperation to this last song. Overall, this is a decent album. It’s nothing spectacular, but it’s not bad, either. If you haven’t yet, give it a listen. And if you dig it, grab a copy of it here.
“The Button” storyline begins with Batman #21 and the comic opens with Arkham residents watching the hockey game. In the background, you see a poster with “Arkham is for healing” above a big smiley face, much like the one on the button, sans the bloodstain. From there, the story moves to Batman’s cave, where the rest of the issue plays out. Batman stands surrounded by his wall of screens, the majority of which just have the button pictured. It shows his dedication (and obsession) with figuring out what it means.
Batman calls on the Flash for help with this and before Barry can arrive, Eobard Thawne surprises Batman. He’s from the same world as Thomas Wayne, aka Flashpoint. Thawne shows no mercy on Batman, yet he still manages to survive the attack. What Batman lacks in super powers, he makes up for with his smarts and gadgets. He’s counting down the seconds until Barry arrives, knowing he only has to last a little longer. Despite the brutality of the issue, there’s a nice little moment where the countdown is at 0 and Batman makes the comment, “Hm. Overtime.” You can see the slightest smirk on his face through the blood.
Eobard Thawne is easy to hate and it’s no exception in this issue. However, by the end of it, he suffers an unexplainable death. Now there’s yet another mystery to figure out. Batman is badly beaten, but it is probably safe to guess that he survives. Barry, being the ever-charming hero that he is, runs in just after everything goes down because he stopped to see if he could save the hockey player.
Speaking of the hockey player, one of the Arkham residents at the beginning of the issue makes a comment about the player dying before it even happens. It isn’t until Barry shows that we find out her prediction did indeed come true. It will be interesting to see if she plays a part in the story down the road.
Tom King is a writer who I’ve come to greatly enjoy. He understands how to write an excellent story and this crossover has a lot of people excited. He’s taken the mantle as the writer of Batman with grace. He’s also killed it despite following in the footsteps of the great run from Snyder and Capullo. Jason Fabok on pencils and inks is a fantastic choice. This issue looks outstanding, which of course comes with the help of Brad Anderson on colors. It isn’t the same team for the whole event, so we’ll wait and see how The Flash issues look, but I’m looking forward to it nonetheless.
This is one event you won’t want to miss out on. The story will resume with The Flash #21 next week. As a huge Batman fan, it’s a no brainer to continue reading the series and event to see how this plays out.
“Chapter 8” brings us the season finale of Legion. This show contained a series of weird, confusing, and just outright insane aspects to the story and the characters. Between the story, the cinematography, and the acting throughout, there’s a lot to love about this show. This episode in particular wraps up the season nicely, but still leaves us with something to look forward to.
The season finale is easily the most understood episode of the season. It’s a nice, linear episode, and we largely stay in the same reality. The only time things change is when Syd finds herself in the white room with Lenny. The main question is, do we still call her Lenny? Last episode we saw her interchanging with The Devil With The Yellow Eyes, who Cary seems to be calling Shadow King, as well. Either way, they’re all one and the same and while it makes the naming confusing at times, the character largely is not by the end of this season.
Kerry and Cary are still having their struggles in this episode and it’s nice to see that the show didn’t just fix everything with them for the sake of focusing more on David in the finale. We also see a lot of action with The Interrogator, who is never given an actual name. The episode starts out with a huge focus on a character who we know next to nothing about. We’re given a glimpse into his life and his personality before the episode picks up with him meeting David and company just outside of Summerland. It’s a nice little moment for a character who appeared important in previous episodes, but didn’t have the time spent focusing on him. Melanie is still a bit of a mystery, however. She runs the place and now that her husband’s back, he doesn’t remember her. That’s about all we know with no inkling of whether she’s an actual mutant or just an advocate for one.
Throughout this episode, we see David struggle with trying to get the parasite out of his head. It’s painful to watch and thankfully, we’re given glimpses of David replaying the memories to avoid the struggle. Lenny appears and he questions what he’d be if she left. Needless to say, that was not the best thing to say because then we see him struggle even more before Syd takes charge and saves him. Once Syd kisses him, that’s when all hell breaks loose and The Devil With The Yellow Eyes makes his way from host to host. Making him present himself as Lenny throughout the season was an interesting choice and one that works out better than you’d think. Aubrey Plaza does an excellent job with the character. And on that note, the entire cast feels really well placed with their respective characters.
Overall, this season strayed from the path of what we’re used to seeing with comic book shows and movies. It was okay that things didn’t make sense to start and played out over a stretch of eight episodes. What the final episode did do, though, is have a post-credits scene that is commonly seen in Marvel movies. It gives a look at what scenario next season will start with. The show also does well on the music front. They’ve had some huge bands and songs play throughout the episodes. This finale ended with “Children of the Revolution” by T. Rex in a fitting scene of Oliver driving off with Lenny as his passenger.
Personally, I can’t wait for a second season of this show. It’s one of my favorite new shows in 2017 and the writing on it was fantastic throughout. If you want to know more about David Haller and Legion, check out X-Men: Legacy. You won’t get the same story, but it’s still interesting to see how they changed the show in comparison to the comics.
Legion picks up right where the previous episode left off: The Eye is still chasing after Kerry in the hospital. We’re given vital information and “Chapter 7” moves along much faster than last week’s episode. Sometimes you need to slow things down a bit to prepare for what’s next. That’s exactly what happens here. Rationality prevails (in the form of a British version of David) and we learn so much more about David and what he’s going through. The episode is highly entertaining and gives much to look forward to in the season finale.
While the audience was piecing things together about what was going on, so was Syd. She makes that much known when she’s talking to Cary and states that the hospital was a mental projection created by the parasite. She also knows that everyone is in David’s childhood bedroom. It’s refreshing to see that the characters were essentially going through the same thing as the audience. It’s a nice way to present the situation and the solution for it.
David gives a fantastic performance this episode, not only being himself, but his rational mind, too. The scene where he’s talking himself through how to overcome the parasite and figure out the facts is a joy to watch and the chalk animations are a nice touch. The animations really felt like what David would be visualizing in his head. It might not be the most exciting moment in the show, but it’s absolutely necessary and gives us a lot of the information we need.
Now onto the silent film portion of the episode. We get a crazed looking Lenny, who has also been The Devil with the Yellow Eyes, and it’s insanely great. The way it is shot in black and white and any dialogue is shown on a card is a great nod to some old movies, but horror ones in particular. We see the creepy, the brutal, and the power in Lenny’s character. It’s a great moment that really gives this episode a boost. The dialogue was fairly minimal, too, which allows you to focus on the characters in a new light.
Oliver is another huge focus in the episode. He’s out of his ice box and the dive suit. However, he has no memory of being married to Melanie. Jean Smart does an excellent job with staying composed, but allowing the pain to come through in her facial expressions. She’s pained that he doesn’t remember her, but thrilled that he’s back at the same time. That push and pull of emotions makes their scenes together much more interesting.
Overall, this is a fantastic penultimate episode. From the previous, it looks like we’ll get to see some more great things in the season finale, especially with this episode ending with D3 surrounding Summerland. Legion has been one of the best shows in 2017 and I’m sad that the first season is only eight episodes.
“Chapter 6” of Legion takes viewers back to the hospital where the season began. With the episode mostly taking place in the hospital, this episode felt a little slower than the previous ones, but they still make it work. Things aren’t as they’ve seemed up until this point, but those events are still lingering around. While the characters are largely the same, there are some differences. Melanie is not the head of anything, Lenny is a therapist, and David’s sister is a nurse.
This series keeps the audience wondering if we’re in David’s head or if what’s actually happening is real. We’re never given an indication one way or another, which is one aspect that makes this show so entertaining. In this episode, we also see special effects in a different light. None of them involve David and his powers, so they never feel as intense, but they’re still great. Lenny’s dance scene is absolutely bizarre, but well done.
Seeing the characters in therapy allowed the audience to see how similar the characters are in comparison to the previous episodes. Cary and Kerry are still attached, but not in the same way. David, however, feels drastically different in this episode. He’s in control and is not using his powers. He and Syd are still together, but it doesn’t feel quite like the same relationship. The dive suit that Oliver was seen in makes a few appearances this episode, but we never get the confirmation that it’s him in it.
The way this show intertwines the current state of the characters at the hospital and the previous events that we aren’t certain even happened at this point works well. There are key moments where the previous events come into play and it feels like the characters are starting to put two and two together that things aren’t what they seem. It’s giving the show yet another interesting twist to it.
There’s still plenty to wonder about and only two episodes left in this season. The show is already renewed for a second season, but so much can be done in two episodes of this show. Legion is one of the best shows on TV right now and waiting week to week to see what happens is quite an impatient task to ask of the fans. “Chapter 6” might be a slower episode with not as much action, but it feels like it will be crucial to whatever comes next, especially with Lenny saying she and David could rival God with their powers.