New Music Friday is here and there are some releases that you should definitely check out.
Catch Fire have their debut LP on the way. Drummer Ash Wain took some time to discuss the record with us and what Catch Fire would like to do in the future.
When did the process first begin for working on Karma Owes Me a Lifetime of Happiness?
Myself and Miles started writing back in July 2017, but it wasn’t for anything in particular at that stage. There was no album on the table at this point; we just wanted to write something as we’re always keen to see what we come up with in the moment. “Petrifaction” came together first, and we knew straight away that that was the kind of direction we wanted to take this release. Especially with this being a debut album, we wanted it to be more emphatic, a little bit different and more consistent.
How did the band first start working with Rude Records?
We started working with Rude Records in 2016. They put out our debut EP The Distance I Am From You back then and we’ve been with them ever since. We’re extremely lucky to be with them and we owe them the world.
“Petrification” is a very relatable song. What led to focusing on the theme of karma with this release?
Karma is something I’ve always struggled with. I think most people solely believe in it as a way of coping in life, as they’re too fearful of what comes after. We look at it from multiple perspectives on the record. One of which is how people spend their lives being kind to others, only because they don’t want to be punished afterwards, not because they actually care. The main focal point however, is that people always say things like “what goes around comes around” or “people always get what they deserve,” but nobody ever sees that happen. Most of what we see every day are ‘bad’ things happening to ‘good’ people, or the ones we love the most struggling to cope with their mental illnesses. We’re not rejecting the existence of Karma, but I thought it was something interesting to bring into question. If it does indeed exist, I’d like to think that some people are owed some of the good Karma back, that they’ve spent their lives putting in.
How are you feeling about the debut as the release date approaches?
We couldn’t be more excited or proud. We’ll definitely get more apprehensive as November looms though. Hopefully Karma will do its thing and the hard work we put into this LP will pay off.
With the album coming out in November, do you have plans for a winter tour?
There are a few things that we’re locking in that I can’t reveal just yet unfortunately (sorry!). But we’ll be announcing all sorts of stuff over the coming months. Early 2019 should be pretty exciting, take that as you will!
Is there anything you’ve done as a band so far that you would do differently if you had the chance?
There was one thing… We wanted to rework “Bad Behaviour” from our first EP, so we did! It’s on the new album, and we can’t wait for people to hear it. We always loved that song, and thought it deserved a second wind.
What’s one thing you haven’t done yet as a band that you’d like to do?
Play overseas for sure! We’re still yet to break out of the UK and play a show in a different country, but hopefully we’ll be able to tick that off the bucket list soon!
Thanks for your time. Where can the readers keep up with Catch Fire?
You can follow us on all social media platforms with the handle @CatchFireUK. Thank you for reading!
Bayside is one of those bands that has a pretty solid discography. I especially love it when bands will make use of that and give fans some extra music like Bayside has done with their acoustic albums. Acoustic Volume 2 hit fans’ ears recently and it’s a release that I’m excited about.
I’m a sucker for anything acoustic, which makes this release all the better for me. It kicks of with a fantastic rendition of “Sick, Sick, Sick,” which is an excellent choice for an opening track. It then runs right into “Mary,” which is one of the band’s more recent songs off of Vacancy. The album does a great job with mixing in songs from a wide variety of albums.
The track list of this album is key. It has the feel of a live performance. The band has been known to kick off sets with “Sick, Sick, Sick” and close them with “Devotion and Desire.” Then in the fourth spot you have a song like “Duality,” which is again, consistent with some of their live sets.
The whole feel of this album makes you think you’re in the room with Bayside as they play acoustic renditions of some of their biggest songs. It’s easy for me to get lost in the music when I’m listening to stripped down versions of songs with lyrics as strong as Bayside’s. It’s a treat to get something as personal as this from the band. You just get this sense that you know everything they’ve been through and there’s bound to be something relatable within these songs for anyone who listens to them.
Acoustic Volume 2 is a must-listen for Bayside fans. If you are like me and either love anything acoustic or just left getting something extra from bands you really enjoy, this will be up your alley. Bayside continues to put out solid music, even if it isn’t something entirely new.
Pros and iCons released their debut album, iConic, last year. The band has a wide variety of influences and they were kind enough to share those with us today. Check out the playlist and what they had to say about each song.
Mötley Crüe — “Kickstart My Heart”
There’s an undeniable energy in all of Mötley Crüe’s music that greatly inspired iConic. Their anarchical style and explosive hits capture the anthemic poise we aim to express in our music and live performance. Plus, they’re just badass.
Linkin Park — “Breaking the Habit”
This is one of our favorite songs by one of our favorite artists. They infiltrated mainstream radio while aggressively combining pop, hip hop, and rock. Our band name Pros & iCons expresses an inherent duality to illustrate our genre-bending approach, which is similar to and inspired by Linkin Park.
Polyphia — “Light”
Pop melodies disguised as guitar leads? Polyphia exceeded our expectations of contemporary rock. Their tunes directly inspired what we had aimed to achieve on “Catch Me.”
The Weeknd — “Angel”
Whether by heartbreak or just damn good songwriting, we couldn’t escape this song for the months we were finalizing iConic. The Weeknd’s nearly somber musical disposition makes our little 2007 emo hearts feel at home. His songs are massive and emotional, much like ours, and “Angel” greatly influenced our track “Fallen.”
Lady Gaga — “Marry the Night”
Gaga is one of Joey Dean’s (vocals) biggest inspirations. Her vocal approach, translating her classical training into her pop/rock ‘n’ roll hybrid, is much like Dean’s. Her Born This Way era certainly bit from the 80s, much like iConic, and this massive hit has inspired us sonically, thematically, and visually.
Drake — “Hype”
When we were writing iConic, Drake dropped “Views” and we couldn’t stop streaming this ish. Much like The Weeknd, Drake’s emotive lyrics and production make us feel some type of way and we love it. We had to choose “Hype”—everyone gets hype at every Pros & iCons live show.
Bring Me The Horizon — “Drown”
Much like Linkin Park, Bring Me The Horizon seamlessly blended together genres into a style original to their name. Particularly, their orchestral influence fits well with cinematic and video game-inspired tracks we have and have yet to release. “Drown” is one of our favorites off That’s The Spirit.
Elton John & George Michael — “Don’t Let The Sun Go Down On Me”
Between their style, vocal approach, and stories, these two LGBTQ icons are huge inspirations for Joey Dean. They both evoked something provocative in their approach, while maintaining a richness to their singing. And, well, Elton John wrote for The Lion King. How could we not include him?
Sylar — “Soul Addiction”
Sylar is a fellow NYC native, hailing from Queens, the stomping grounds of our own Niko Vaude (guitar), and so we’ve been watching their journey for a while. Their record Help! proved we weren’t the only crazy kids on the underground NYC scene progressively blending together genres. “Soul Addiction” became a Van’s Warped Tour anthem we couldn’t stop listening to.
Thirty Seconds to Mars — “Kings and Queens”
It’s hard to articulate with Thirty Seconds to Mars. Their music just has this feeling. It fires us up from the inside and inspires. We grew up listening to them and have felt an irresistible connection to A Beautiful Lie and This Is War. “Kings and Queens” is just that song.
New Music Friday is here and there are some releases that you should definitely check out.
Heroes Like Villains released Bad vs Evil over the summer. The albums definitely gives off the feeling of a summer album. Twelve tracks make up the concept album, which focuses on a romance between a hero and a villain. It’s an unlikely match, but through these songs, they make the most of it. Today, they band is sharing a playlist of their favorite Columbus, OH artists.
Super American recently released Tequila Sunrise. I highly recommend checking it out, which you can do over on Bandcamp. Pat Feeley took some time to answer our questions about the album, the Buffalo music scene, and more. Give it a read below.
When did you first start working on Tequila Sunrise?
We didn’t know it at the time, but we started it the first day we ever worked on music together. It was March of 2016, I believe. The final product didn’t come to fruition until we started putting the pieces together earlier this year. Matt’s songs span a great length of time probably dating back to 2015. Mine were all written last year except for “Commitment Issues,” which we finished right before we went into the studio. When we found out the record was a go (we had a budget) we began demoing out all of our ideas and trying to fit them into one piece of work, Tequila Sunrise. The final versions are all closely derived from the demos we did prior.
What was the writing and recording process like?
There was no particular writing “process” for this record as it basically spanned our entire existence as a “band.” When we were inspired we would make something and share it with one another. Add to it. Subtract from it. Work it from there. The recording process was unique because we had demos of all the songs — that we liked. So we were trying to preserve that energy while adding quality and weight to the recording.
If you could describe this album in one sentence, what would it be?
Nice to meet you.
Now that the album has been out for a little while, how does it feel to have it out in the world?
It feels weird. I felt amazing the first night and day. Very thankful for all of the positive things people were saying and the support of our friends, followers, etc. I was proud that we were able to see it through. Now I really just want to make something better.
Being from Buffalo, NY, what is the local scene like there?
I love my city. Sometimes we eat each other alive instead of showing love, but it’s a small town and the sun doesn’t come out for six straight months. It takes great leaders to really set a positive and inclusive tone for a scene to grow and thrive, so hopefully we will set a good example. There are a lot of talented and passionate people. Nothing energizes me like going to a show and seeing someone express themselves.
Do you find yourselves heading out to NYC often to play the wide variety of venues there?
We’re almost 7 hours away from NYC, but have have played there a few times. It’s a trip! Cleveland, OH is honestly more like our second home. (Sorry!)
Is there a venue in NY that you hope to play one day? How about outside of your home state?
We don’t discriminate. I want to start playing anywhere someone might know a couple of our songs.
What are your plans for the rest of 2018?
Exploring new ways to express myself. Learning! Doing my laundry more often. Improving my fitness and attitude. :)))
Thanks for taking the time to chat with us today. Where can our readers keep up with Super American?
@supamerican on Twitter / Instagram. Thanks for having me.
The new Pale Waves album is one I intended on checking out much sooner than I did. However, I’ve been feeling like I’m perpetually behind on everything these days. Too many books to read, too many podcasts to listen to, and let’s not discuss how many albums I have yet to listen to from this year. With that in mind, I wanted to come up with a quick way to get my thoughts out on an album, so here’s what I’m calling Rapid Review (not too clever, I know) and I’m kicking it off with My Mind Makes Noises.
“Eighteen” is a great start to the album. The vocals are great and the music is catchy. This is a song that I could easily see myself listening to a lot even though it feels more like a summer jam than a fall song. “There’s a Honey” follows the same vibe that we get with the opening track and builds on it nicely.
As I continued listening through the album, there’s an importance placed on relationships throughout it. Some, like “Loveless Girl,” aren’t always in a positive light, but it puts you into the situation and you’re able to understand the narrative. “Drive” was a track that instantly got my attention, though. “I drive fast so I can feel something” is repeated throughout and it just stuck with me.
“She” is intensely personal and it stands out as it takes a slower approach. You can tell there’s some resentment in the lyrics and vocals. If I had to pick one song to introduce someone to Pale Waves, it would be “She.” It gives a good look at the kind of band they are and how much potential they have.
“Red” is a song that would fit right in with pop radio. The chorus is infectious and it’s easy to have it stuck in your head. It’s another standout song on this album. While this album does blend together a little too much at times, it’s a big step in the right direction. They clearly have talent and they know exactly who they are. The vocals are appealing and the music is catchy. Just adding a little more variety would be great and I hope we see that from them on future releases. Give Pale Waves a listen if you haven’t yet, though. The band is well worth your time.
Fatherson recently released Sum Of All Your Parts and they took some time to share their influences with us. They wrote a bit about each selection and you can listen to the playlist on Spotify.
Sigur Ros – Heysatan
That Takk album by Sigur Ros is hands down one of the most beautiful things I’ve ever heard. I go back to this song religiously, I guess it’s because I have no idea what he’s saying so I make it up for myself.
Death Cab For Cutie – Brothers on a Hotel Bed
Our collective favourite song of all time. Possibly even our collective favourite band. Lyrically Ben Gibbard always puts the most eloquent twist on heartbreaking situations. This song is about losing love over a long period of time, which is something that I guess most people are afraid of.
Manchester Orchestra – Everything to Nothing
Loud, heavy, heartbreaking and honest is pretty much how I’d describe everything that Manchester Orchestra do. We’ve been inspired by them since hearing wolves at night on MySpace. I would maybe say this was my favourite song of theirs. The way they throw about the 1 at the end yet make it super approachable is just cool and it was amazing to discover that other bands did that too.
Phoenix – Lasso
The intro to this song is so cool, if you watch on YouTube the dude is playing two parts at once. They are also so amazing live, proper gentlemen of the stage with super groovy tunes. Plus the drummer looks like he’s going so fast he might take off at some point 10/10 would recommend to a friend.
The 1975 – The Sound
This band definitely inspired a bit of confidence in us when we were writing this new album. They just say and do what they want and their artwork and statement is always so cool. Very big fans of their live show too, they are definitely the most innovative band to come out of the UK in the last decade in my opinion.
Bon Iver – 33 “GOD”
Definitely the most inspiring artist/song/library of musical masterpieces on this list for me, for sure. This song blew me away when if first heard it, not only is there a Paolo Nutini sample in it but there’s also an incredibly beautiful song underneath the melee of production.
Noname – All I Need
I had Telefone on repeat for about a year, Noname writes poetry. I was so engaged from the get go, one night whilst trawling through tiny desk sessions, her one appeared and that was it. This song is my favourite on that album but if you haven’t heard it yet do yourself a favor and get lost in it for a few days!
Paramore – Last Hope
Saw them in Wembley Arena in London in front of about 20,000 people and they made it feel like a club show! This song is the epitome of a modern rock ballad with an amazing melody and her incredible voice on top of it!
Radiohead – No Surprises
The kings of tone and song structure really. You can’t help but be in awe of them, they’ve been moving the goalposts forever and always better themselves. I listened to Ok Computer a lot over the last couple of years alongside the bends. This song though has the most amazing sounding guitar melody I think I’ve ever heard.
Idlewild – Little Discourage
We toured with Idlewild on their 10 year anniversary of 100 Broken Windows after being massive fans since we were kids. It’s such a raw and messy album but it has so much energy in it. Little Discourage made the place go off every night and it was so inspiring to watch it have the same visceral potency 10 years after it came out. It just shows you that great songs last the test of time.
Snow Patrol – How to be Dead
The opening song to one of the best albums of all time. And that just has to be a fact, it’s a super cool sounding album from some guys from Northern Ireland. I was about 11 when it came out and bought it at Asda and went straight to Greg’s to listen to it, which we’ve done with every album they’ve released since. Incredible band and this song is so cool.