Interview: Night Argent

Night Argent

Night Argent recently released The Fear. The band took some time to answer our questions about the EP, the band’s start, and more. Check out the full interview below.

When the band first started out in Pasco, Washington, where were you mostly playing? Did you play local shows or would you travel to Seattle and Portland areas to get gigs?

We actually played all over when we first started out. We were working with a college booking agency, and traveled around the U.S. quite a bit playing shows. Our first tour after we locked in the final member of the band was actually a 3 week tour on the east coast, so we got a lot of travel experience grinding it out pretty early on. We also played quite a few shows locally, but venues don’t seem to last super long in our hometown, we hope to one day help change that.

Once you won the grand prize at the Ernie Ball International Battle of the Bands, things seemed to really get rolling for the band. How did that experience change things for you?

It was a huge moment for us. We already believed in what we were doing and the music we were making, but to get that validation at that level and from people in the industry we’ve respected a long time was incredible.

It opened up a lot of doors for us, we still have to grind and put in work every day, but it allowed us opportunities that a lot of bands don’t get.

I don’t want to focus too much on the past, so let’s jump ahead to working on The Fear. What was working with John Feldmann like and what did you learn from him?

It was a new experience for us for sure. We had never worked with an outside producer, we had done everything in house up to that point, and to have our first experience be someone at his level was pretty hard to wrap our heads around. Luckily he made us feel right at home, and we had a blast working with him in the studio. The biggest thing we learned from him was to stay true to who we are as a group and what we’re trying to accomplish, regardless of how outside pressures may try and force us to change and be something we’re not.

With the EP out now, what is the band’s main focus? Touring?

Definitely, our goal right now is to play festivals, and get on the road with other bands out there putting in the work. Playing live and touring is our favorite part of being in a band.

Is the band always writing and working on new music or do you give yourselves a bit of a break?

We’re always working on new music, and writing. It’s how we express ourselves and cope with everyday life. We don’t write strictly for the band, or our fans, we write for ourselves, and because it’s what we live for.

I look forward to hearing more from the band in the future. Thanks for taking the time to answer these questions. Last one: where can our readers keep up with you?

Thank you! They can find us on any of the social media sites, or check out our website.

Interview: MADUS


About two years ago, I saw MADUS perform at The Viper Room in Los Angeles. I interviewed the band then and I recently had the chance to catch up with Dugan Cruz for an update on what they’ve been up to in the meantime. Check out the full interview and their latest single below.

Hey! It’s great to be chatting with you again. How are things going?

Same to you Deanna. Thing’s are going great. Lotsa fun stuff happening.

That’s always good to hear. It’s been about two years now so what has the band been up to in the meantime?

Indeed it has! Time sure flies… Well, shortly after that show was the beginning of the end of an era for us. Since then we’ve gotten two new members, recorded with a reputable producer named Noah Shain, garnered skills and gear to record ourselves, hooked up with a super-rad Art Mama named Nasera Alayon and made a new website. We’ve also been playing and writing as much as possible in between all that as well.

You’ve definitely kept busy then. What was recording with Noah like? Do you think it gave you a better understanding of the recording process as a whole?

We love music too much to not “get busy” with it. 😉 Recording with Noah was a life changing experience. I think we all gained a lot more respect for the power of the song and an excruciating attention to detail. The thing I loved most about Noah was his devout respect of music. He grew up during the hardcore Los Angeles Punk scene, and there are so many great lessons to learn from bands like Black Flag and the other intense DIYers that just don’t settle for anything they don’t want. It’s beautiful. That being said, we walked away from the experience wanting to spend the foreseeable future recording ourselves. Not because we think we’ve become Josh Homme level producers from recording with Noah ONE time, but mainly because we recognize the writing, tracking, mixing, and mastering as crafts that we all want to respect and learn as part of our process to developing our own individual sound. We have SOO many influences strewn about this band, and so much of what we love about other bands is their focus and dedication to their particular thing.

It’s always a plus when you can take something away from recording with a producer. Some bands just go in, get the job done, and move on with it. What’s the story behind “Through the Dark”? And do you feel you applied a lot of what you learned to recording that single?

There’s something new to learn EVERY time we record. “Through the Dark” definitely marked a shift in the band from the moment it was written. It’s part of what precipitated 2 members leaving, and 2 members joining. The intro Riff actually came to me during a cat nap in Portland while reading this book Horns by Joe Hill. The Riff woke me up, and I think I spent the better part of that week banging different bits of the song out. I was listening to a lot of early Strokes and Arctic Monkeys at the time, and it obviously influenced the song. I can’t say I applied what I learned recording that song to the “Through the Dark” itself, but I DEFINITELY apply everything I learned from recording that song to every song that followed it.

I haven’t read that exact book from Joe Hill, but I have read some of his stuff. It’s funny how you’ll be doing one thing and it’ll spark something totally different. Does this new single mean we can expect a release some time soon from the band?

Ah man, it’s so good. Definitely check that book out when you can. Brilliantly dark. And yes, the brain is a highly sophisticated platform for facilitating tangential synchronicity. Yes to new releases! Part of the reason we’re recording ourselves is to chase a goal of releasing one new song a month for as long as we can.

Will you end up collecting those songs into albums or EPs at any point?

Kinda… So as of now we have plans to release a “mixtape” at the end of the year that’ll have a few songs on it. We’re gonna press the collection to cassette tapes and have a slick design by that Nasera girl. Side note: definitely check out her site. We’re still looking at labels to try and do a split deal on pressings with.

That’s a cool idea. It’s something that I don’t think a lot of bands are doing and with how streaming is going, singles seem like a good idea if you aren’t quite ready to put together a full release. What other plans do you have for the rest of 2017?

Yeah… I have too much respect for the album format to attempt it without the proper capital. As for 2017 the only word on all our minds is “hustle.” There’s so many great shows going on in Los Angeles it’s a full time job to try and keep up! So… Plan is: writing, recording, performing, booking, manifesting awesome stuff. 💅🏾

Keeping up the hustle is always a good plan. I look forward to the new music. I’m huge on listening to albums as a whole, so I understand that respect for sure. Is there anything we haven’t hit on that you want to let our readers know about? Where can they keep up with the band?

Great minds think alike. 🤘🏽Yeah, as a final note I would like to plug our website. All our dates, releases, media, and other coolness will be over there. Also, if anyone’s around we got a sweet gig on Wednesday August 23 at Davey Wayne’s over in Hollywood. Would be great to have any and all freaks lookin for a good time to come out.

Awesome. Thanks so much for your time. It was great catching up with you.

It was my pleasure. Thank YOU for keeping music alive. Stay awesome, Deanna.

Interview: Light Treasons

Light Treasons

Zack and Joel from Light Treasons took some time to answer questions about the band, their music, and more. You can also check out a video for “The Satellite” below.

When the band first started, did you have any specific plans or did you just want to see what came of it?

Zack:  Joel and I used to play together in a band called Hark The Herald for a few years back in the late 2000’s. Since then, neither of us had played music together or even by ourselves, and we slowly came to the mutual realization that we needed to start playing music again. We assumed we would just mess around and have fun and see where it went. We recruited my friend from college, Rob Diver who I knew could play and sing and had similar tastes in music. He started on bass and lead vocals. When Clay Nevels (the lead singer of Hark The Herald) found out that Joel and I were playing together again, he offered to be an quasi-unofficial member of the band on guitar and backup vocals. Eventually the music started taking shape and we realized that getting a solid bass player and letting Rob focus on vocals would be key if we ever wanted to play out live and sound our best. We eventually asked our friend Chris Hysell to join us on bass even though he’s the best guitarist out of all of us. I recorded a 5 song EP for the band (and had Jordan Haynes mix and master it) and then we started playing shows. Before we knew it, we had become a “real band” again even though we never set out with that ambition.

Joel: Yeah, those who know Zack and myself well know that it’s hard for us to not take things seriously. We definitely started without a ton of expectations, but those expectations grew rather quickly once we had the full band put together.

You have a full length coming out soon, Fortunes. What was the writing and recording process like for that?

Zack: For or better or worse, the writing process for Fortunes has been really different than what we’re used to. The 5-song EP was almost a continuation/maturation/ending of the Hark The Herald sound. Even though we still love those songs, we felt like we were still trying to find the Light Treasons sound. We wrote new two songs fairly quickly after the EP that would go on to become The Gravedigger and The Marionette. We found ourselves playing them live because we loved them so much, but we didn’t even have a listenable demo of the songs. We decided to record those two songs (this time from start to finish with Jordan Haynes) so that we could get them out to people to hear before they came to our shows. We didn’t know what we wanted to do with the songs long term, we just knew we wanted to release them spaced out so there would be new material to keep people engaged. That’s when Joel’s wife, Erin, suggested that we do individual artwork for the singles and offered to draw it all herself. That idea eventually became the concept of having unique tarot card art and titles for each song, which then became the album “Fortunes”. Each song is it’s own fortune that represents people we know, fictional stories, actual things we’ve been through, and even the global political climate. Chris left to play guitar for Foxbat, and we added our long-time friend Jared Howell on bass after the first 2 songs were done. With new blood in the band, we decided to write, record, and release the songs in real-time, as opposed to banking them until we were ready to record the whole record. Although this process was really stressful, it forced us to create faster and try harder. Because of the aggressive timeline we set, we divided and conquered the song writing process, often breaking into smaller writing teams to try and flesh out our ideas before getting the whole band on board. It also allowed us to have a honeymoon period with each individual track as our newest and best song. Even though we didn’t set out to write a concept album, we feel like we were able to actually pull it off. There were some challenges with recording an album across 4 different recording sessions and making it sound/feel cohesive, but Jordan really stepped up and put in the extra work to make that happen. He’s basically the 6th member of the band.  Even though the songs are meant to stand on their own, they really feel at home next to one another. This is especially the case with the final/title track of the album. Fortunes was the last song we wrote and it encompasses lyrics, themes, and even guitar and vocal melodies from the other songs. Ultimately, the album turned out better than we could have a imagined, although I’m not sure any of us would undertake such a tedious writing/recording process again.

Joel: Fortunes was definitely a lot different, but I think it really led to the best possible product. As Zack mentioned, the concept for Fortunes kind of came after the first couple songs were already written and recorded, but I am really proud of the final, completed project. I’ve always loved concept albums, rather they be a single story or an overarching theme, and was really excited to do one of our own. I think it’s a very hard thing to do to make an album worth of songs that are both individually unique and collectively cohesive. I really think we did that with Fortunes, and I couldn’t be more proud of it.

Is there any specific part of making music that is your favorite?

Zack: For me personally, the best feeling is when you hear a song or part of a song fleshed out for the first time and it just works. This could be an iPhone demo recording of the band jamming or the mixed and mastered final track. Simply hearing something that you created from nothing and then it makes you feel an emotion…it’s hard to describe, but it feels amazing. The other thing that I really love about making music is when someone else sings along to something you wrote. We can all sing along to the pop hit of the day without even thinking about it, but as an alternative band that’s not all over the radio, it’s not that often when that happens. It’s so rewarding to realize that someone else listens to your music enough to know the words and melodies. Even if they get the lyrics wrong (which my girlfriend does all the time) it still makes me smile from ear to ear.

Joel: Zack summed it up well. The only thing I’d add, is that I love playing it live. I like a lot of different styles of music, but the reason I love writing and playing this style so much is the live intensity and energy. Nothing like it, at least for me.

With the first half of 2017 coming to a close, what do you have planned for the second half?

Zack- It’s hard to say because we are still “full-time adults” with jobs and families. We want to play as many out of town shows as we can but also know that we can’t just take off in the van for weeks at a time like we used to. That is, unless, Muse wants us to come open up for them on their world tour, in which case, I’m sure we can move some things around in our schedule… We’re going to create/release more videos as well because that medium resonates with people when it’s combined with music. We’re playing a few festivals in the region and would like to play some more to get in front of people that might hear us otherwise. We want to be your new favorite band, so if you’re reading this, let us know what you’d like to see from us.

When you aren’t doing band related things, what are you doing? Any other hobbies?

Zack: We all have other hobbies that we love. Clay is the lead singer in another band called Foxbat. Rob is a big sports fan and a gamer. Jared is part of the haunt community (haunted houses, etc.). Joel is a new dad, so that’s a job and a hobby combined. I’m part owner in a few small businesses including a new Axe-throwing company called Flying Axes.

Are there any local bands you think everyone should be checking out?

Zack: Other than Foxbat (seriously, they’re so good, why haven’t you checked them out yet?), there are so many good local bands. Jordan’s band Artifex Pereo (Tooth and Nail) are some of the best musicians, not just in Louisville, but period. We love Greyhaven. Summer Youth (who is playing our CD release show) is the new project from Kevin of Uh Huh Baby Yeah! As I’m writing this list, I’m worried that if I try to mention everyone I’ll inevitably leave someone out. Plus I could probably break the internet with the number of awesome Louisville bands I’d list, so for good measure, I’ll just say all of them. Oh yeah, and BRENDA.


Thanks for taking the time to chat with us. Where can our readers follow the band?

Zack: We’re on all the mainstream social platforms, our music is on Spotify, YouTube, iTunes. Links to everything can be found at Also, come see us live. We’re pretty normal and fun loving guys. We’d love to hang out with you and have a beer or a bourbon.

Interview: The Nightmare Police

The Nightmare Police

The Nightmare Police have a new album out this Friday. Check out our interview with them on the album, their future plans, and more.

When the band started in 2014, did you have any idea of where it would go?

None at all, we just wanted to write music that people could relate to and hope that we could exorcise some demons.

Losing The Light is out on June 9th. What was the writing process like for the EP? Who did you record it with?

The writing process was actually the best I’ve ever been a part of. The 3 of us just blend so well together when we write it’s almost an infinite flow of ideas. We wrote 12 songs for this EP and picked 5 to record. We recorded the drums with Brett Romnes and Frank Bones, the remainder was all done with Frank Bones.

How would you say the band has progresses since if only I could…?

We have become more personal and raw. This is us shouting out. Can you hear us?

What do you have planned after the EP is out? Going on tour?

Lots of local shows for now, we just did a short Northeast run  but expect us down the East Coast and the Midwest soon.

Are there plans to work on a full-length next?

Maybe, but you didn’t hear that from us!

Do any of you have hobbies outside of the band? And if so, what are they?

Jesus is a tattoo artist and does amazing work. Joe is a handy man, give him something and he’ll fix it or build it for you. I’m a gamer but a bad one, I should probably stick to music.

Any local bands that you think everyone should be checking out?

Our favorite local band right now is MJT. There are so many great ones on Long Island right now though it’s hard to name them all.

Thanks for your time! Where can our readers follow the band?

Check out our website at and you can follow the band on Twitter/Facebook/Instagram as well as listen to all of our music on digital retailers (Spotify, iTunes, Amazon, YouTube, etc.).

Interview: Craig Wedren

Craig Wedren

Craig Wedren took some time to talk to us about what it’s like to make music for film and television, what he’s working on, and more. Check out the full interview below.

We’ve recently seen more and more musicians getting involved directly with film and television. How did that come about for you?

From very early on -even when I was playing in bands- I always had a home studio where I made more experimental, film-like music. When I went to college, many of my closest friends (David Wain, Thomas Lennon, Michael Patrick Jann) were in film school and would turn to me for music, largely because I was the only guy they knew who was in a proper band, Shudder To Think, with actual records! Everything evolved from there.

With “No Estoy Triste,” did you know up front it would be used for the end credits?

I wrote No Estoy Triste specifically for the end credits of Latin Lover. Ken Marino, who directed (another one of my besties from college) wanted an upbeat, family-themed closing song that would leave the audience humming and happy. It popped out very quickly and immediately felt right, but it took a minute to figure out the right lyric bc my Spanish is basically 8th grade level(::

When you create original songs for film or TV, how does the process differ from making music for yourself?

In a band, one is usually saying “FU” to any-and-everyone else telling you what to do (except maybe your bandmates). Its an expression of freedom, independence and uniqueness of expression -its meant to be ‘foreground’ music, the sole focus of attention.

Movie music is explicitly about taking direction, it tends to be assignment-based, and needs to serve a larger vision. Its usually background music. I think of it like acting, where you take on a character, and speak through it. Movie music is frequently meant to be background music, subliminally directing the emotions of the audience. For me, personal music music for film are totally complimentary, and at this point I wouldn’t want to do one without the other.

Are you given any direction on what feeling the song should embody or where it’ll be used?

On a film or TV show, the director and I will discuss what the music for a given scene -or for the show as a whole- needs to convey, story-wise, emotionally, and ion terms of character or relationships. Then I go from there. Direction is vital in film and TV, although sometimes I like to create sketches and pitch my own ideas and impressions based on just the script, before the director and I get into it.

Going back a bit, what was it like working on a movie like School of Rock?

School Of Rock was a dream. My friend Randy Poster (music supervisor) called and asked me to write a ‘Creed-like’ power ballad for the evil band No Vacancy, and then they needed some instrumental score for the rest of the film. I also got to rehears with the kids, which was a blast. I feel very fortunate to have been involved in that one -a classic imo.

Do you have a favorite song from these projects or do you like them all for different reasons?

I’ve made so many songs and scores at this point that its hard to keep track, but I have a particular fondness for the songs from Wet Hot American Summer, particularly “Higher and Higher” from the movie (co-written with my friend Theodore Shapiro), and the original songs my team -Pink Ape- and I made for Wet Hot American Summer: First Day of Camp on Netflix. Those songs still get stuck in my craw.

Do you have anything in the works right now or in the near future?

I’m finishing up my new album Adult Desire right now. It’ll be out late-Summer/early Fall 2017. There will also be an accompanying album length video that I’m concocting. Very excited! Also, look out for the TV show GLOW on Netflix in June. Its about women’s wrestling in the ’80s, and I love the music we made for it. And Wet Hot American Summer: Ten Years Later will be out this Summer, too! It takes place in 1991 so there’s lots of fun music or fans, particularly Gen-Xers.

Thanks for your time! Where can our readers follow you?

Thank you! Here are my handles..
Twitter: @craigwedren
Insta: @craigwedren
FB: @craigwedrenmusic; @shuddertothinkofficial

Interview: Ben Hazlewood

Ben Hazlewood

Ben Hazlewood took some time to answer questions about his new EP, getting into music, and more. Check out the interview along with a stream of EOS.

When did you first know you wanted to get into making music?

I started writing music when I was 12 and it grew from there. I have always performed on stage from a young age but it was when I starting writing and performing my own music that I realized this was exactly what I want to be doing with my life.

What was it like being on The Voice Australia?

I really had a great experience on the show. My mentor, Joel Madden, said to me at the beginning of the show “This will not be the be all and end all of your career” which really helped me focus on the show and not take it too seriously; and enjoy the experience. I learned a lot and it really helped me grow as a vocalist.

Do you think being on the show helped you figure out what exactly you wanted to do with music?

Yeah, I think performing other people’s music really let me work out what style and genre I wanted to focus on writing. I chose songs that I connected to lyrically so, afterwards, I began writing music and lyrics that are very emotive and anthemic.

Last year, you released VANTA. How would you say EOS differs from that?

The theme behind the two EPs is “its always darkest before the dawn” so on VANTA, the stories are coming from a dark place but always looking toward a positive light. EOS is lighter and more hopeful in its writing.

Can you tell us a bit more about your single, “Sail Away”? What is the inspiration behind the song?

“Sail Away” is a journey of letting go, which is the hardest thing to do after fighting for so long to keep a dream alive.

It’s when that natural resistance to admit defeat sets in and provokes taking that one chance to move forward instead of waiting for the change that may never come.

Now that EOS is out, what are your plans?

Continuing to write new music and be back out on the road again soon performing all the tracks from both EPs.

Thanks for your time! Where can our readers keep up with you?

@benhazlewood on Instagram, Twitter and Facebook!

Interview: Table Talk

Table Talk’s Sal Salamone recently took some time to answer questions about the band, their recording process for Where I Am Without You, and more. Check out the full interview below.

What was the recording process like for Where I Am Without You?

The recording process for Where I Am Without You was a wonderful time. We were lucky enough to be able to work with an old friend of ours Matt Lagattuta from Giants at Large for WIAWY and it felt so natural and constructive. Matt’s always been a huge influence on us since we first really joined the scene and has been at the center of other projects that we’ve all been a part of over the years. To finally do something with Matt under Table Talk was very fulfilling and I wouldn’t have asked or trusted anyone else to handle these songs.

With the EP being two songs, is there more new music in the works?

Yes! We’ve written and demoed out about 5 other songs aside from the two we’ve just put out and we have a lot more that are currently being worked on late nights at the space.

What’s the best part about being in a band based out of NY?

Definitely the accessibility to be able to play anywhere in the tri-state area where a lot of really incredible bands have been killing it for years. I love being able to throw together a weekend of shows, play four different states and see all of the friends we’ve made in that place whether it’s South Jersey/Philly, the Poconos, or New Bedford.

What goes into the songwriting process for the band? How do you ultimately put a song together before hitting the studio?

It usually starts with Ryan and I bringing an idea to practice that we’ve started laying the groundwork for ourselves, mostly in our heads. We really rely on one another to push and create something unique every time we work on a song whether it’s trying a new bridge part or changing the melody in a chorus. We have a very constructive writing process that can sometimes get heated but in the way that leads to better writing and better songs like I think we have been.

Do you have any hobbies outside of the band or does that take up a good chunk of your free time?

Pretty much the only thing I would consider a consistent hobby is music. Everything else tends to come and go depending on how I’m feeling about music. There are some weeks where I can’t stand the thought of playing a guitar or writing a song so I try and focus my attention and creativity on another outlet.

Any local NY bands you think everyone should be checking out?

Our boys in Whittled Down are about to drop the sickest record of 2017 so be on the look out for that. Aside from that there’s Giants at Large, Macseal, Casanova, Makeshift, Nice Shot Kid and a hell of a lot more that are all killing it right now.

What else can we expect from the band in 2017?

A lot of shows, a tour in the fall potentially, and maybe a new record… but I can’t confirm any of that.

Thanks for your time. Where can our readers follow the band?

Head over to to find out all things Table Talk!

Interview: Noise Brigade

Noise Brigade

Noise Brigade took some time to answer questions about the band, their new album, and more. Check out the interview below.

How did the band first form?

The original form of the band began when we were in high school, but we had a major lineup change and effectively did a hard-reset with the four-piece lineup about a year and a half ago.

Being a relatively new band still, what was it like working with a record label for This Is Fine?

It was a little weird to put our songs into somebody else’s hands since we’ve always been pretty self-sufficient as a band, but thankfully Pete and everybody at Manic Kat took good care of us and made the entire process incredibly painless.

Personally, I don’t hear about too many bands from Alaska. What was it like living there and what are the venues like?

There is a very close-knit scene up there, there generally are only one or two all-ages venues active at a time but the scene has been strong regardless of that. The winters can obviously be rough but the summers made it all worth it.

With the band now being based in Portland, do you find it’s easier to play shows and get involved in the music scene?

Getting started was kind of tough, there are a LOT more bands in Portland but thankfully we found our footing pretty quickly and settled nicely into a very supportive group of bands and friends that have made living in Portland a really great experience.

What was the writing process like for the new release?

After we finished our EP From The Mountains to the Sea and toured on it a few times, we settled into a writing mode for a few months and started holding back on playing shows. There were a lot of tough things going on in our lives as individuals that affected the writing process and overall tone of the record. It felt a lot more collaborative as a whole than we’ve done in the past and I think we sound a lot more like a “real band” now which is a really cool feeling.

Are there any plans beyond the album release and tour for 2017?

We don’t have any solid plans as of right now, but we really want to tour overseas sometime soon. We’ve always wanted to head over to Japan and the U.K. particularly, so hopefully we can make that work before too long!

What’s it like now that the album is finished?

Feels great! It feels awesome to finally have these songs that mean so much to us released into the universe. Right now we’re on tour for the record and it’s been really great so far, people are responding really well to the record and the new sort of direction we’re heading in so that fear of “man I really hope people are into this because we’re really proud of it” has definitely subsided.

Thanks for your time! Where can our readers follow the band?

Not a problem, thank you for having us!!

Facebook: @aknoisebrigade
Instagram: @noise_brigade
Twitter: @noise_brigade

Interview: The Technicolors

The Technicolors

The Technicolors have some new music coming out soon. Sean took some time to chat with us about that, what’s next for the band, and more. You can check it out along with their new single below!

Hey Sean! How are you doing?

Doing fantastic!

Awesome! Well let’s go ahead and get this interview rolling. When did the band first form and how did all of the members meet?

The band in its current form got together early in 2015. Brennan met Nico while he was performing session gigs. He was always the young guy playing for the older artists. Brennan and him met each other while they were still in high school. I was in a previous band from Phoenix and had heard through the grapevine about this band called The Technicolors that I had to go to see and Brennan and I got together through coincidence of mutual friend. About a year after knowing each other, him & I casually suggested that we should jam together just to feel out a vibe. A week later we wrote our song Tonight You Are Mine together and thing kind of took off from there.

Nice. Is the Phoenix music scene a pretty close-knit one then?

It has its niches and each of those have their relative closeness but overall the music scene is a bit spread out. Honestly, the Phoenix scene goes in waves where a few bands are connected and then it takes a minute for it to grow and flourish again.

Did you think that made it a bit difficult to find a good following when the band first started out?

I think that the following for the band has evolved a bit in the last few years. Initially, I think we were attempting to find our identity and some of the fans that grew with us early on have been gracious enough to allow us the creative freedom to become the band we’ve always wanted to be. I feel that there’s more dimensions to us now and that process definitely had it’s ups and downs.

Of course. It’s always great to be able to explore that creativity and still keep fans interested in what you’re doing. How would you say the band showed that with “Little Charmer”? Would you say that song is a good portrayal of what the new album will sound like overall?

That was a tune we had early on in the writing process that we really felt stretched some of the vibe that was on the record as a whole. It had this laid back groove-type thing that we didn’t really dive into on our EP. The record at large is pretty fuzzy and bursting at the seams. “Little Charmer” is the break in the super charged action.

What is the writing process like for the band? Is it a very collaborative effort?

There’s a usually a skeleton that forms with Brennan & I. Sometimes it’s a riff or a phrase but usually thats catalyst. Nico will typically come in from there and lay some crazy bass groove down that helps us shape the whole picture. It’s been highly collaborative compared to other projects I’ve been involved in and I think it really helps the tunes feel connected to us a group.

That’s awesome. With Metaphysical coming out in July, what plans do you have in the meantime? What about after the release?

We’ve got plans to get out on the road this summer/fall and bring as many people as we can into this universe we’ve been creating for the longest time.

Sounds like a solid plan. Is the band constantly working on new music or do you set aside specific times to work on ideas?

We’ve been fortunate to not have any sort of set writing schedule. We function best when creating constantly so there’s never a period where music isn’t on the brain. That’s kind of where the idea of our Mixtape came about, just sorting out the bits of jumbled material that kept popping up. We’d like to continue doing things like that as long as we’re inspired to do so!

That’s great. That about wraps it up for the questions I have. Last one is where can our readers keep up with the band?

You can find us on all the lovely social media (@thetechnicolors) and on our website at

Great. Thanks so much for taking the time to do this interview.

No problem! Thanks so much!

Interview: Lazarus Wilde

Lazarus Wilde

We recently had the chance to ask Lazarus Wilde some questions about Breathe Now, what’s next, and more. Check out the interview below.

How does it feel to have Breathe Now out?

Lazarus: It feels great! I’ve been looking forward to releasing this record for a while now so it’s nice to see it finally out there to the public.

Who did the artwork for it?

Lazarus: This local artist from NJ called Chris Wolf who works at one of my favorite comic shops called East Side Mags.

What’s the reception been like for the album?

Lazarus: It’s been very well thankfully. People have been really receptive to my new record and resonating with it very well. I’ve had a couple new fans reach out to me telling me how lyrically the record has connected with them and helped them in some ways. Means a lot to me to hear that and find out it’s having that kind of effect on people.

Where did you record the album?

Lazarus: I recorded this record at my personal studio here in Tallahassee, FL. Then I had it mixed/mastered in NJ by Jason Krebs.

What was the best part of the songwriting or recording process for you?

Lazarus: I have the most fun layering guitar tracks and working on harmonies for the vocal sections. But I think for any artist or band the best part of the recording process is the very beginning when you’re bringing the songs to life and then at the very end of the recording process when you can hear the final product of your work.

What can we expect from Lazarus Wilde for the rest of 2017 now?

Lazarus: I’ll be doing some weekend runs between now and June and then in July I will be doing a tour with an artist out of PA named James Barrett. We will be touring throughout the northeast region. Afterwards I have some booked time to shoot some more music videos for songs off of “Breathe Now”. In between that all I’ll be working on writing my 3rd record.

Are there any local artists in your area that people should be listening to?

Lazarus: Unfortunately, I haven’t spent that much time here locally because of my tour schedule. One artist that comes to mind, though, who has played a couple shows with me and is from Tallahassee, is an acoustic artist named Brighter Poet. Good guy, unique voice.

What do you do when you aren’t working on something for the band?

Lazarus: I work with animals at an animal clinic.

Well, that about covers it. Last question. Where can our readers keep up with the band?

Lazarus: You can follow me on Instagram, Facebook, and Bandsintown to keep up with my whereabouts and shows that are in a city near you.